Esto se hace a través de una confluencia de la canción, el ritmo y el movimiento, llamando al orisha de forma que se reconozca a si mismo en la lírica, ritmos y danzas que han sido interpretados para ellos quizás por miles de años.
The perspiring bodies shake in a very frenzy with each beat of your drums. Legs, shoulders, and bodies tremble as if reacting to an electric shock. An odd emotion of effectively-currently being invades every single coronary heart; it truly is seen within the emotion-twisted faces plus the bleary eyes with the dancers.
Y cuando el santo ha dejado el cuerpo de la ” aleyo ” , la fe y la creencia serán más fuertes , y el cuerpo de los posesos se llaga a raíz de sus frenéticas contorsiones .
Todas las ceremonias y rituales en la santería deben contar primero con la aprobación de Elegua antes de avanzar.
Due to this some rhythms never ever touch Until you will be in a religious context or offend the orisha. These rhythms are seriously prayers towards the Orishas, getting Each and every orisha its very own rhythms affiliated with them.
The faces in the worshipers appear remodeled through the esoteric summons to possession. The gong of your atabales Appears louder. The odor in the jungle invades the spot of worship. The chant grows louder within the Lucumí tongue:
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Desde el mediodía abren sus puertas como restaurante, sirviendo el típico cerdo y ropa vieja de la Isla, y en la noche sirven variedad de mojitos mientras suena Salsa sin parar.
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Prior to “departing”, the god will speak to the Guys, will suggest hem on tips on how to maintain their health, to stop “difficulties”, to aid Other people uncover employment. The god may even ask his owing; He'll demand from customers a feat; He'll even threaten his naughty “kids”.
The dance get more info or dance also turns into prayer within the spiritual context of the bembé. The actions with the dance are the exact same actions which were linked to the Orishas for thousands of a long time.
La música en vivo esta a cargo de un cubano de gran trayectoria en el mundo de la música adoptado por Colombia hace ya mas de 5 años: Alex Díaz.
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This is often certainly the situation at El Bembé, as being the band plays, Oscar de Leon’s “Llorarás y Llorarás” you see Fred and Ginger like couples theatrically strutting from one particular side in the dance floor to another, flaunting fancy fox trot footwork, twirling and swaying. We sit nervously observing just about every move, sipping our mojitos, ought to the criollo
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